One of the greatest lacquer studios of Japan, Unryuan, under the guidance of Mr. T. Kitamura, create works of lacquer art that stand at the pinnacle of Japanese tradition, bringing a craft that has existed for hundreds of years into the present, exemplifying the passion to preserve the soul, spirit and identity of traditional Japanese culture as expressed in the Edo period. This superlative work engages us immediately on a physical level and one can only stand in awe at the commitment, patience and dedication required to create these works of art. The dial shown here, using the techniques of lacquering with Saiei Makie and Somata zaiku takes several months of work to complete. The raw materials for its creation are: Kinpun (gold dust), Jyunkin-itakane (gold leaf), Yakou-gai (shell of great green turban) and Awabi-gai (abalone shell from New Zealand).

This symbiosis of Japanese tradition with the Swiss haute horlogerie creations of Kari Voutilainen represents an all-embracing mechanical and visual work of art that unites the East and West in perfect harmony.